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Staging Empire Napoleon Ingres And David

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Staging Empire: Napoleon, Ingres, and David

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Staging Empire: Napoleon, Ingres, and David by N.A Book Summary:

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L’art de la caricature

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L’art de la caricature by Ségolène Le Men Book Summary:

Cet ouvrage aborde la question de la caricature, longtemps tenue pour un art mineur, à partir d’approches qui en ont renouvelé l’étude. Il réunit des contributions d’historiens de l’art et de littéraires venus d’horizons divers, depuis Montréal et New York jusqu’à Vienne, en passant par Dijon, Strasbourg et Paris. Il s’efforce d’en apprécier autant la portée expérimentale et novatrice, tout à la fois pratique et théorique, que l’engagement politique, social et polémique, et les implications esthétiques. Cet art moderne et graphique qui a recours au rire comme à une arme procède d’une anthropologie de l’image associée à l’histoire du corps et des émotions. L’essor de la caricature s’effectue à la jonction du croquis et du dessin de presse en Angleterre à la fin du xviiie siècle, puis en France sous la Monarchie de Juillet, avant de s’internationaliser à la fin du xixe siècle et de se poursuivre jusqu’à nos jours comme une expression dynamique et gestuelle, celle du trait. La caricature est ici abordée comme un langage en métamorphose, dont les usages sont analysés à partir d’études de cas, qui en abordent les genres, les thèmes, les registres, les tons et la pluralité des modes d’expression. L’industrie du recyclage y devient un art qui se prête à d’innombrables variations imagées. Les salons caricaturaux engagent une réflexion critique sur les arts, tout en procédant de la critique d’art ; ils ouvrent aussi la voie aux formes de l’abstraction. La question de l’intermédialité permet d’interroger d’un essai à l’autre les portraits-charges visant Émile Zola, les dessins satiriques d’Albert Robida et d’André Rouveyre, le rapport du texte et de l’image dans les histoires en images de Gustave Doré, la bande dessinée dans la presse fin de siècle, la culture des cabarets et le cinématographe de Serguei Eisenstein, dessinateur-cinéaste inspiré par Honoré Daumier.

Paris: The 'New Rome' of Napoleon I

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Paris: The 'New Rome' of Napoleon I by Diana Rowell Book Summary:

Napoleon I employed a myriad of media through which to promote his propaganda and his universal hegemony. Classical Rome - home to the great Caesars - was central to his ambitious visions for the transformation of Paris into an imperial metropolis of unprecedented magnitude. Exploring the interrelationship between antiquity, the display of power and the reinvention of Paris, this volume evaluates how the Roman world and post-antique exploitations of Rome influenced Napoleonic Paris, and how Napoleon promoted his authority by appropriating Rome's triumphal architecture and its associated symbolism to relocate 'Rome' in his own times. The volume shows how consideration of Louis XIV's legacy is crucial to understanding the evolution of Napoleon's fascination with imperial Rome. It also charts Napoleon's manipulation of the populist rhetoric of Republican France (and Rome) as he moved from being a general fighting for the Revolutionary cause to become the 'absolute' ruler of a new empire.

Gardner's Art through the Ages: Backpack Edition, Book E: Modern Europe and America

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Gardner's Art through the Ages: Backpack Edition, Book E: Modern Europe and America by Fred S. Kleiner Book Summary:

GARDNER'S ART THROUGH THE AGES: BACKPACK EDITION, BOOK E: MODERN EUROPE AND AMERICA is part of an easy-to-carry, six-volume set. Author and award-winning scholar-professor Fred Kleiner continues to set the standard for art history textbooks, combining impeccable and authoritative scholarship with an engaging approach that discusses the most significant artworks and monuments in their full historical and cultural contexts. The most widely read and respected history of art and architecture in the English language for over 85 years, the book's 15th edition includes nearly 200 new images, new pedagogical box features, images that have been upgraded for clarity and color-fidelity, revised and improved maps and architectural reconstructions, and more. Over 40 reviewers -- both generalists and specialists -- contributed to the accuracy and readability of this edition. GARDNER's has built its stellar reputation on up-to-date and extensive scholarship, reproductions of unsurpassed quality, the consistent voice of a single storyteller, and more online resources and help for students and instructors than any other art survey text. For half-year and Western-only courses, books within the six-book set can be purchased individually. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

Gardner's Art through the Ages: The Western Perspective, Volume II

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Gardner's Art through the Ages: The Western Perspective, Volume II by Fred S. Kleiner Book Summary:

Author and award-winning scholar-professor Fred Kleiner continues to set the standard for art history textbooks, combining impeccable and authoritative scholarship with an engaging approach that discusses the most significant artworks and monuments in their full historical and cultural contexts. GARDNER'S ART THROUGH THE AGES: THE WESTERN PERSPECTIVE, VOLUME II includes nearly 100 new images, new pedagogical box features, images that have been upgraded for clarity and color-fidelity, revised and improved maps and architectural reconstructions, and more. Over 40 reviewers -- both generalists and specialists -- contributed to the accuracy and readability of this edition. A unique scale feature will help students better visualize the actual size of the artworks shown in the book. Within each chapter, the Framing the Era overviews, timeline, extended captions, and the chapter summary section titled The Big Picture will help students review for exams. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

Napoleonic Art

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Napoleonic Art by Barbara Ann Day-Hickman Book Summary:

Scholars have long debated the mysterious popularity of the Napoleonic Legend, from the emperor's final defeat in 1815 to the astounding electoral victory of his nephew, Louis-Napoleon Bonaparte, in the presidential elections of 1848. In this book, the author demonstrates how broadsheet illustrations about Napoleon Bonaparte helped shape popular support in regional France for the "new" Bonaparte elected in 1848. Nicholas Pellerin, an avowed republican, and Pierre-Germain Vadet, a veteran of the Imperial wars and staunch bonapartist, promoted representations of Napoleon to criticize and undermine the political status quo. The author reveals how the Pellerin broadsheets about Napoleon sustained anti-Bourbon, anti-Orleanist sentiments during the several decades preceding the revolution of 1848.

Se vêtir à la cour en Europe (1400-1815)

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Se vêtir à la cour en Europe (1400-1815) by Isabelle Paresys,Natacha Coquery Book Summary:

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Ingres

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Ingres by Susan L. Siegfried Book Summary:

Jean-Auguste-Dominique Ingres (1780-1867) produced a body of work that appealed to his contemporaries while disconcerting them. For the most part scholars have sought to make sense of that strangeness either by examining the vicissitudes of the artist's critical reputation or by appealing to his supposed intellectual and psychic limitations. Siegfried argues that this strangeness needs to be located in the complex and richly-invested nature of the work itself as well as in Ingres' very powerful, if often perverse, sense of artistic project. She shows that his major re-thinking of pictorial narrative was as central to his achievement and reputation as his distinctive rendering of the female figure in classical nudes and portraits. Creative in his choice and interpretation of classical literary, historical, and religious subjects, he was engaged in a process of giving visual form to narrative, which he did in new and unusual ways that involved him in a close reading of the texts on which he drew, including authors such as Homer, Virgil, Ariosto, and Dante, as well as religious narratives and stories about medieval and early modern French history that were becoming popular in the period. This book takes full account of the different and seemingly divergent aspects of Ingres' achievement. Recognizing that his work was fragmentary and contradictory, Siegfried's study sees those traits as constitutive of the imaginative power of his work and of its very real and singularly affecting complexity.

Perspective

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Perspective by N.A Book Summary:

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Ingres, 1780-1867

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Ingres, 1780-1867 by École du Louvre Book Summary:

Un recueil de vingt-cinq études consacrées au peintre et à son oeuvre s'appuyant sur les apports de l'historiographie récente. Elles tentent de saisir la personnalité de l'artiste afin d'entrevoir si, à l'instar de sa création, il était hors normes et irréductible aux schémas traditionnels en cours au XIXe siècle.

Bibliographie annuelle de l'histoire de France

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Bibliographie annuelle de l'histoire de France by Virginie Durand,Claude Ghiati,Isabelle Havelange,Brigitte Keriven Book Summary:

Indispensable à tous les historiens depuis 1955, la bibliographie annuelle de l’Histoire de France recense les travaux français et étrangers parus l’année précédente et relatifs à la France du Ve siècle à 1958. Outre les monographies, ce sont plus de 2000 revues françaises et étrangères qui sont dépouillées pour réaliser cet instrument de recherche. La livraison 2009 offre environ 10 000 références. Pour s’y retrouver : des index, par chronologie, matière et auteur, auxquels aucun personnage cité, aussi obscur soit-il, ni aucune localité évoquée, jusqu’à la plus infime, n’échappe.

Destins souverains

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Destins souverains by Sophie Zagradsky Book Summary:

"Le destin hors du commun de Napoléon Ier, empereur des Français (1804-1815), d'Alexandre Ier, tsar de toutes les Russies (1801-1825), et de Bernadotte, prince héritier, puis roi de Suède sous le nom de Charles XIV Jean (1810-1844), fait de la période impériale une véritable épopée : alliés, rivaux, puis ennemis, ces trois souverains ont marqué le devenir européen au début du XIXe siècle. Leur rapport aux arts, lié à la symbolique du pouvoir, témoigne de la fascination des cours d'Europe du Nord pour le style Empire à son apogée. Survivra à l'Empereur, jusqu'aux frontières de l'Oural, la force des symboles impériaux portés par les arts décoratifs, reflets d'un savoir-faire à la française, tout en faisant émerger un style Empire spécifiquement russe et suédois. En retraçant la situation de l'Europe, de la rencontre de Tilsit (1807) à la chute ultime de Napoléon (1815), cet ouvrage montre comment les trois souverains se sont appuyés sur les arts décoratifs et les grandes manufactures à des fins économiques et de propagande: démonstration de leur puissance par la production d'objets d'art somptueux, prestigieux cadeaux diplomatiques et diffusion de leur propre image. Ce catalogue présente quelque cent cinquante pièces parmi les plus remarquables conservées dans les collections suédoises, russes et françaises : portraits officiels peints et sculptés des souverains et de leur entourage, uniformes et costumes, sabres et épées, mobilier d'apparat, bronzes dorés, vases et services de table de porcelaine, urnes et vasques de porphyre... Le catalogue du second volet de l'exposition, "Destins, souverains Joséphine, la Suède et la Russie", qui se déroule simultanément au musée national des châteaux de Malmaison et Bois-Préau, vient compléter cette approche."--P. [4] of cover.

Overcoming Dictatorships

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Overcoming Dictatorships by Jutta Vinzent Book Summary:

Overcoming Dictatorships explores art produced in response to the collapse of political authoritarian systems in 1989, particularly those of the Soviet bloc. A case in point is the visual work and discussions of ten artists who have bean selected and commissioned by 'Overcoming Dictatorships', a 2006-09 project generously funded by the European Union (EU). It aims to create a dialogue on post-dictatorial experiences among participants from countries designated as 'East' and 'West' Europe. Their works represent attempts to overcome collective identity formations of the past (i.e. the Soviet bloc, National Socialism and Fascism), critically engage with the fear of new dictatorships (including consumerism, globalization and mass media) and question 'western' political and social-economic uniformities (including the EU). Hence Overcoming Dictatorships challenges compartmentalized thinking and thus attempts to overcome authoritarianism. It is not the intention to add another pillar to a proclaimed European cultural heritage, but rather to contribute to bridging the East and the West, exposing the concepts of East and West Europe as in transition, which, as dominant cultural reference points for the contemporary visual, may also be on the way out, being replaced by an endless variety of issues, themes and positions.

French Genre Painting in the Eighteenth Century

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French Genre Painting in the Eighteenth Century by Philip Conisbee,Center for Advanced Study in the Visual Arts (U.S.) Book Summary:

"Fifteen international scholars present their latest research into the contexts and meanings of French genre painting of the eighteenth century, from Jean-Antoine Watteau to Louis-Leopold Boilly. The essays represent a wide range of critical and historical perspectives, from traditional archival research to postructuralist criticism."--P. 4 de la couv.

Portraiture and Politics in Revolutionary France

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Portraiture and Politics in Revolutionary France by Amy Freund Book Summary:

"Examines the genre of portraiture and the political and cultural role of images in Revolutionary France. Focuses on portraiture as a privileged site for the elaboration of modern notions of selfhood and political agency"--Provided by publisher.

The Roman Salute

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The Roman Salute by Martin M. Winkler,University Professor and Professor of Classics Martin M Winkler Book Summary:

Saluting gestures in Roman art and literature -- Jacques-Louis David's Oath of the Horatii -- Raised-arm salutes in the United States before fascism : from the pledge of allegiance to Ben-Hur on stage -- Early cinema : American and European epics -- Cabiria : the intersection of cinema and politics -- Gabriele d'Annunzio and Cabiria -- Fiume : the Roman salute becomes a political symbol -- From D'Annunzio to Mussolini -- Nazi cinema and its impact on Hollywood's Roman epics : from Leni Riefenstahl to Quo vadis -- Visual legacies : antiquity on the screen from Quo vadis to Rome -- Cinema : from Salome to Alexander -- Television : from Star trek to Rome -- Conclusion.

As Befits a Legend

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As Befits a Legend by Michael Paul Driskel Book Summary:

This work is an examination of the tomb of Napoleon - its construction process, historical context, and political and social meanings. It documents the problems inherent in building an appropriate monument and the debate it generated.

Ingres, 1780 - 1867: biochronologie

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Ingres, 1780 - 1867: biochronologie by Jean-Auguste-Dominique Ingres,Vincent Pomarède,Uwe Fleckner,Eric Bertin,Louis-Antoine Prat Book Summary:

Sublime portraitiste, peintre d'histoire à la recherche de ruptures, provocateur poète du corps de la femme, esprit sensuel et voyeur sachant aussi rendre le hiératisme, le mysticisme et la pureté du fait religieux, immense dessinateur et subtil coloriste, Ingres ne peut aujourd'hui que nous étonner et nous séduire par la puissance et l'indépendance de sa pensée et de son esthétique. A partir des recherches factuelles et contextuelles les plus récentes, le présent ouvrage, catalogue de la première rétrospective consacrée à Ingres en France depuis 1967, a l'ambition de faire redécouvrir un artiste passionné et excessif, profondément original et quasi marginal, un homme de contrastes capable d'être à la fois un révolté et un défenseur de la tradition, un classique et un destructeur d'idées reçues. Par la nouvelle approche de l'œuvre du peintre que propose cet ouvrage, nous espérons que le lecteur pourra mieux comprendre la démarche esthétique d'un homme qui, en régénérant la tradition et en renouvelant les modèles classiques, consacra sa vie à une patiente réflexion sur la représentation picturale du corps humain, d'un artiste pour lequel les débats entre la ligne et la couleur importaient peu, puisqu'il avait quant à lui privilégié une vision synthétisant le réalisme et l'idéalisation de la description sensuelle, charnelle, du corps humain.