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Juvenal And The Satiric Emotions

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Juvenal and the Satiric Emotions

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Juvenal and the Satiric Emotions by Catherine Keane Book Summary:

In his sixteen verse Satires, Juvenal explores the emotional provocations and pleasures associated with social criticism and mockery. He makes use of traditional generic elements such as the first-person speaker, moral diatribe, narrative, and literary allusion to create this new satiric preoccupation and theme. Juvenal defines the satirist figure as an emotional agent who dramatizes his own response to human vices and faults, and he in turn aims to engage other people's feelings. Over the course of his career, he adopts a series of rhetorical personae that represent a spectrum of satiric emotions, encouraging his audience to ponder satire's proper emotional mode and function. Juvenal first offers his signature indignatio with its associated pleasures and discomforts, then tries on subtler personae that suggest dry detachment, callous amusement, anxiety, and other affective states. As Keane shows, the satiric emotions are not only found in the author's rhetorical performances, but they are also a major part of the human farrago that the Satires purport to treat. Juvenal's poems explore the dynamic operation of emotions in society, drawing on diverse ancient literary, rhetorical, and philosophical sources. Each poem uniquely engages with different texts and ideas to reveal the unsettling powers of its emotional mode. Keane also analyzes the "emotional plot" of each book of Satires and the structural logic of the entire series with its wide range of subjects and settings. From his famous angry tirades to his more puzzling later meditations, Juvenal demonstrates an enduring interest in the relationship between feelings and moral judgment.

Gender and Sexuality in Juvenal's Rome

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Gender and Sexuality in Juvenal's Rome by Chiara Sulprizio Book Summary:

The poet Juvenal is one of the most important ancient Roman authors, and his sixteen satires have left a strong mark on western literature. Despite his great influence, little is known about the poet’s life, beyond unreliable details gleaned from his poetry. Yet Juvenal’s satires contain a wealth of information about the mentality of imperial-era Romans. This volume offers a fresh and student-friendly translation of two of Juvenal’s most provocative poems: Satire 2 and Satire 6. With their common focus on gender and sexuality, these two works are of particular interest to today’s readers. Both Satire 2 and Satire 6 target effeminate men and wayward women as objects of ridicule, and they ruthlessly mock their behavior in an effort to expose deep-seated problems in Roman society. The longer of the two works, Juvenal’s sixth satire, addresses a basic question, “Why get married?,” in a tone of spite and ferocity, and its details are disturbingly graphic. Satire 2 is a shorter but equally pointed tirade against effeminacy and passive homosexuality. Taken together, the poems compel readers to critique the discourse of gender stereotypes and misogyny. For students and scholars of gender and sexuality, these poems are crucial texts. Chiara Sulprizio’s lively translation, perfectly suited for classroom use, captures the vivid spirit of Juvenal’s poems, and her extensive notes enhance the volume’s appeal by explicating the poems from a gendered perspective. An in-depth introduction by Sarah H. Blake places the satires within their broader literary, historical, and cultural context.

Syllecta Classica

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Syllecta Classica by N.A Book Summary:

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A Companion to Persius and Juvenal

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A Companion to Persius and Juvenal by Susanna Braund,Josiah Osgood Book Summary:

A Companion to Persius and Juvenal breaks new ground in itsin-depth focus on both authors as "satiric successors"; detailedindividual contributions suggest original perspectives on theirwork, and provide an in-depth exploration of Persius' and Juvenal'safterlives. Provides detailed and up-to-date guidance on the texts andcontexts of Persius and Juvenal Offers substantial discussion of the reception of both authors,reflecting some of the most innovative work being done incontemporary Classics Contains a thorough exploration of Persius' and Juvenal'safterlives

Samuel Johnson and the Tragic Sense

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Samuel Johnson and the Tragic Sense by Leopold Damrosch Jr. Book Summary:

Tragedy in the eighteenth century is often said to have expired or been deflected into nondramatic forms like history and satire, and to have survived mainly as a "tragic sense" in writers like Samuel Johnson. Leopold Damrosch shows that many readers were still capable of an imaginative response to tragedy. In Johnson, however, moral and aesthetic assumptions limited his ability to appreciate or create tragedy, despite a deep understanding of human suffering. This limitation, Mr. Damrosch argues, derived partly from his Christian belief, and more largely from a view of reality that did not allow exclusive focus on its tragic aspects. The author discusses Irene, The vanity of Human Wishes, and Johnson's criticism of tragedy, particularly that of Shakespeare. A Final chapter places Johnson's view in the context of modern theories. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Essays on Roman Satire

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Essays on Roman Satire by William S. Anderson Book Summary:

Irvine Anderson carefully reconstructs the years between 1933 and 1950 and provides a case study of the evolution of U.S. foreign oil policy and of the complex relationships between the U.S. government and the business world. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Augustan Satire: exemplified on Alexander Pope’s "The Rape of the Lock"

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The Augustan Satire: exemplified on Alexander Pope’s "The Rape of the Lock" by Nadja Groß Book Summary:

Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 2,7, University of Trier, course: Alexander Pope, language: English, abstract: “Pope is the standout poet of the eighteenth century. A master of form and register, a maestro of metre, and a doyden of wit, Pope will remain among the most read and most imitated writers in the English language” (Budge 2009, 54.) Alexander Pope is often referred to as one of the greatest critics of all times. He is a great author and his poems are commonly known in the world of Literature. His satirical style is brilliant and exemplified in many of his poems. In the following, I am going to analyze the Augustan poem “The Rape of the Lock”, specifically in terms of its satirical elements. Therefore, I want to start with a look at a few definitions of the Satire. Next, I will go into more detail by defining the Augustan Satire as a subgenre of Satire. After validating these two term’s definitions, there will be the actual analysis. Due to limitations of space, however, I cannot consider all of the satirical elements of the poem, and have decided to put my main focus on the role of Belinda.

Studies in Book I of Juvenal

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Studies in Book I of Juvenal by William Scovil Anderson Book Summary:

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Dissertation Abstracts

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Ancient Greece and Rome

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Ancient Greece and Rome by Carroll Moulton Book Summary:

Presents a history of ancient Greece and Rome as well as information about the literature and daily life of these early civilizations.

Verse Satire in England Before the Renaissance

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Verse Satire in England Before the Renaissance by Samuel Marion Tucker Book Summary:

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The Living Age

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The Living Age by N.A Book Summary:

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Yale Classical Studies

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Yale Classical Studies by Austin Morris Harmon,Henry Thompson Rowell,Robert Orville Fink Book Summary:

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Classical and Medieval Literature Criticism

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Classical and Medieval Literature Criticism by N.A Book Summary:

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The Scriblerian and the Kit-Cats

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The Scriblerian and the Kit-Cats by N.A Book Summary:

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A Roman Verse Satire Reader

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A Roman Verse Satire Reader by Catherine Keane Book Summary:

The trademark exuberance of Lucilius, gentleness of Horace, abrasiveness of Persius, and vehemence of Juvenal are the diverse satiric styles on display in this Reader. Witnesses to the spectacular growth of Rome's political and military power, the expansion and diversification of its society, and the evolution of a wide spectrum of its literary genres, satirists provide an unparalleled window into Roman culture: from trials of the urban poor to the smarmy practices of legacy hunters, from musings on satire and the satirist to gruesome scenes from a gladiatorial contest, from a definition of virtue to the scandalous sexual display of wayward women. Provocative and entertaining, challenging and yet accessible, Roman verse satire is a motley dish stuffed to its readers' delights.

JEGP, Journal of English and Germanic Philology

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JEGP, Journal of English and Germanic Philology by Gustaf E. Karsten Book Summary:

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Littell's Living Age

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Littell's Living Age by Eliakim Littell,Robert S. Littell Book Summary:

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English Satiric Poetry, Dryden to Byron

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English Satiric Poetry, Dryden to Byron by James Kinsley,James T. Boulton Book Summary:

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The Sublime in the Satire of Charles Churchill

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The Sublime in the Satire of Charles Churchill by Albert Ball Book Summary:

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Comparative Literature

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Comparative Literature by N.A Book Summary:

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Satiric Personae

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Satiric Personae by Lila Hermann Freedman Book Summary:

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John Donne Journal

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John Donne Journal by N.A Book Summary:

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Coined Words and Elizabethan Satiric Forms

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Coined Words and Elizabethan Satiric Forms by Anne Drury Hall Book Summary:

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The Heritage of European Literature

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The Heritage of European Literature by Edward Howell Weatherly Book Summary:

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The Sense of the Ridiculous

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The Sense of the Ridiculous by Richard E. Hughes Book Summary:

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Literature Criticism from 1400 to 1800

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Literature Criticism from 1400 to 1800 by N.A Book Summary:

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Abstracts of Doctoral Dissertations, Degrees Granted and Bibliography of Publications

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Abstracts of Doctoral Dissertations, Degrees Granted and Bibliography of Publications by University of Pittsburgh. Graduate School Book Summary:

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Cithara

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Cithara by N.A Book Summary:

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Kinde Pitty and Brave Scorn

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Kinde Pitty and Brave Scorn by M. Thomas Hester Book Summary:

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Hope, Joy, and Affection in the Classical World

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Hope, Joy, and Affection in the Classical World by Ruth Rothaus Caston,Kennedy Foundation Professor of Latin Language and Literature and Professor of Classics Robert A Kaster Book Summary:

"For all the interest in emotions in antiquity, there has been little study of positive emotions. This collection aims to redress the balance with eleven studies of emotions like hope, joy, good will and mercy that show some of the complexity these emotions play in ancient literature and thought"--Provided by publisher.

Keen and Violent Remedies

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Keen and Violent Remedies by Michael Papio Book Summary:

The Novellino of Masuccio Salernitano, long known for its gruesome scenes of violent humor and horror, is arguably the most important collection of short stories in Italian renaissance literature after the Decameron. This study, the first thorough analysis of the tales in English, explores the hidden literary, political, and cultural background of Masuccio's mordant satire. It uncovers the Novellino's sources, from the French fabliaux to Catalan poetry, from the Bible to Boccaccio, and examines the reflections of aristocratic fears in fifteenth-century Naples regarding the growing mendicant movement and the Turkish threat from the East. This volume closes with a new consideration of the modern theories of the grotesque and presents a convincing alternative to a Bakhtinian reading of Masuccio's classic work.

The Comic Spirit of Eighteenth-century Novels

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The Comic Spirit of Eighteenth-century Novels by Susan G. Auty Book Summary:

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