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American Popular Music and Its Business by the late Russell Sanjek Book Summary:
This volume focuses on developments in the music business in the twentieth century, including vaudeville, music boxes, the relationship of Hollywood to the music business, the "fall and rise" of the record business in the 1930s, new technology (TV, FM, and the LP record) after World War II, the dominance of rock-and-roll and the huge increase in the music business during the 1950s and 1960s, and finally the changing music business scene from 1967 to the present, especially regarding government regulations, music licensing, and the record business.
Understanding Popular Music Culture by Roy Shuker Book Summary:
This extensively revised and expanded fifth edition of Understanding Popular Music Culture provides an accessible and comprehensive introduction to the production, distribution, consumption and meaning of popular music, and the debates that surround popular culture and popular music. Reflecting the continued proliferation of popular music studies, the new music industry in a digital age, and the emergence of new stars, this new edition has been reorganized and extensively updated throughout, making for a more coherent and sequenced coverage of the field. These updates include: two new chapters entitled ‘The Real Thing’: Authenticity, covers and the canon and ‘Time Will Pass You By’: Histories and popular memory new case studies on artists including The Rolling Stones, Lorde, One Direction and Taylor Swift further examples of musical texts, genres, and performers throughout including additional coverage of Electronic Dance Music expanded coverage on the importance of the back catalogue and the box set; reality television and the music biopic greater attention to the role and impact of the internet and digital developments in relation to production, dissemination, mediation and consumption; including the role of social network sites and streaming services each chapter now has its own set of expanded references to facilitate further investigation. Additional resources for students and teachers can also be found on the companion website (www.routledge.com/cw/shuker), which includes additional case studies, links to relevant websites and a discography of popular music metagenres.
All Shook Up by Glenn C. Altschuler Book Summary:
The birth of rock 'n roll ignited a firestorm of controversy--one critic called it "musical riots put to a switchblade beat"--but if it generated much sound and fury, what, if anything, did it signify? As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race. For instance, the birth of rock coincided with the Civil Rights movement and brought "race music" into many white homes for the first time. Elvis freely credited blacks with originating the music he sang and some of the great early rockers were African American, most notably, Little Richard and Chuck Berry. In addition, rock celebrated romance and sex, rattled the reticent by pushing sexuality into the public arena, and mocked deferred gratification and the obsession with work of men in gray flannel suits. And it delighted in the separate world of the teenager and deepened the divide between the generations, helping teenagers differentiate themselves from others. Altschuler includes vivid biographical sketches of the great rock 'n rollers, including Elvis Presley, Fats Domino, Chuck Berry, Little Richard, Jerry Lee Lewis, and Buddy Holly--plus their white-bread doppelgangers such as Pat Boone. Rock 'n roll seemed to be everywhere during the decade, exhilarating, influential, and an outrage to those Americans intent on wishing away all forms of dissent and conflict. As vibrant as the music itself, All Shook Up reveals how rock 'n roll challenged and changed American culture and laid the foundation for the social upheaval of the sixties.
The Music Sound by Nicolae Sfetcu Book Summary:
A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.
American Popular Music and Its Business: The beginning to 1790 by Russell Sanjek Book Summary:
This three-volume work tells the complete story of American popular songs, their authors, and the business they set in motion. Volume one explores the inception of the music publishing business in Elizabethan England and traces music activity in England until 1790, examining popular balladry, copyright problems, the start of music printing, religious music, professional music makers, musical theater, eighteenth-century music, and such leading musical figures as Purcell, Handel, and Haydn. Also discussed are the beginnings of music in the United States, including musical theater, black music, and the Great Awakening and its relationship to music publishing.
American Popular Music and Its Business: From 1790 to 1909 by Russell Sanjek Book Summary:
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Rockin' Out by Reebee Garofalo Book Summary:
Proceeds from the assumption that music is always a social indicator; that is, it tells us something about the world around us. It responds to, mirrors, and influences the society in which we live. This social history is organized chronologically around themes and issues which explicate the connection between music and other social processes.
Ruling the Waves by Debora L. Spar Book Summary:
From pirate Jean Lafitte's exploits on the high seas to Rupert Murdoch's creation of a media empire, this intriguing look at the frequently rocky path of innovation ranges from the first idea and development of an invention to their rise to market dominance. 50,000 first printing.
Recorded Music in American Life by William Howland Kenney Book Summary:
Have records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehow transformed in the dual process of documentation and dissemination? How would our lives be different without these machines? Such are the questions that arise when we stop taking for granted the phenomenon of recorded music and the phonograph itself. Now comes an in-depth cultural history of the phonograph in the United States from 1890 to 1945. William Howland Kenney offers a full account of what he calls "the 78 r.p.m. era"--from the formative early decades in which the giants of the record industry reigned supreme in the absence of radio, to the postwar proliferation of independent labels, disk jockeys, and changes in popular taste and opinion. By examining the interplay between recorded music and the key social, political, and economic forces in America during the phonograph's rise and fall as the dominant medium of popular recorded sound, he addresses such vital issues as the place of multiculturalism in the phonograph's history, the roles of women as record-player listeners and performers, the belated commercial legitimacy of rhythm-and-blues recordings, the "hit record" phenomenon in the wake of the Great Depression, the origins of the rock-and-roll revolution, and the shifting place of popular recorded music in America's personal and cultural memories. Throughout the book, Kenney argues that the phonograph and the recording industry served neither to impose a preference for high culture nor a degraded popular taste, but rather expressed a diverse set of sensibilities in which various sorts of people found a new kind of pleasure. To this end, Recorded Music in American Life effectively illustrates how recorded music provided the focus for active recorded sound cultures, in which listeners shared what they heard, and expressed crucial dimensions of their private lives, by way of their involvement with records and record-players. Students and scholars of American music, culture, commerce, and history--as well as fans and collectors interested in this phase of our rich artistic past--will find a great deal of thorough research and fresh scholarship to enjoy in these pages.
The Greenwood Encyclopedia of World Popular Culture by Gary Hoppenstand Book Summary:
An encyclopedia describes all aspects of world culture, broken down into six regional categories, discussing the art, dance, fashion, food, pastimes, periodicals, recreation, and transportation of each region.
Robert Russell Bennett by George Joseph Ferencz Book Summary:
This volume presents the life and works of Robert Russell Bennett, whose prolific career as composer and arranger reflected and enhanced the musical vitality and energy of 20th-century New York City, where he spent most of his professional life. A lengthy biographical profile is followed by a complete list of works and selected performances featuring compositions rather than arrangements, ranging from orchestral to chamber music, choral to keyboard pieces, and stage to radio works. A complete catalog of commercial recordings comprises the discography, and an annotated bibliography further documents Bennett's singular talent.
R&B, Rhythm and Business by Norman Kelley Book Summary:
Norman Kelly joins Public Enemy's Chuck D and others to dissect the history of black music. R&B examines how black music - from today's hip hop all the way back to soul and blues - has been developed, marketed, and distributed within the structure of capitalism. Public Enemy's Chuck D, author Norman Kelly, and other journalists and musicians combine forces to dissect contemporary trends in the music industry, and explore how blacks have historically interacted with the business as artists, business-people and as consumers.
Lee Morgan by Tom Perchard Book Summary:
Presents the events of the jazz trumpeter, Lee Morgan's life not just as items of biography, but also as points of departure for historical investigations that aim to situate the musician and his contemporaries in changing aesthetic, social and economic contexts. This work draws on many original interviews with Morgan's colleagues and friends.
Shared Pleasures by Douglas Gomery Book Summary:
In this exhaustive volume on the history of motion pictures in America, Gomery deals with movie distribution and presentation. The first section presents a history of movie display from nickelodeons to VCRs. Of particular interest is the evidence that television was not responsible for the decline in moviegoing. The second section deals with specialty operations, including art-house cinemas and theaters for African-Americans. The final section looks at the effect of technological innovations, from the emergence of sound to wide-screen movies and the advent of home video. Tracing the impact of child-bearing patterns, the rise of the suburbs and shopping malls and America's automobile culture as seen in the form of drive-in theaters, this volume is as much a social history of the United States as it is a history of movie exhibition. ISBN 0-299-13210-2: $40.00.
Continuum Encyclopedia of Popular Music of the World Part 2 Locations (5 Vol Set) by John Shepherd,David Horn,Dave Laing Book Summary:
"EPMOW lives music. Put another way, it does for popular music what Grove has done for classical" David Brackett ‘Excellent, readable and thoroughly useful...While some previous single-volume and multivolume works have addressed the development and current state of popular music, none has done so with this work's depth of scholarship and global reach. Scholarly, clearly written, and well indexed, it is an ideal reference set.' Library Journal Continuum Encyclopedia of Popular Music of the World's five-volume work ‘Locations' is the most authoritative reference work on the history and current practice of popular music ever published. The five volumes on ‘Locations' that form Part 2 of this multi-volume work follow on from the two volumes of Part 1: Media, Industry and Society (Volume I) and Performance and Production (Volume II) . They cover over 200 nation states and are organized according to continental regions: Volume III: Caribbean and Latin America Volume IV: North America Volume V: Asia and Oceania Volume VI: Africa and the Middle East Volume VII: Europe Each discusses the history, development and current practice of popular music in cities, districts, cross-border regions, nation states and diasporic communities around the world. Includes coverage of:- The historical, geographical, demographical, political, economic and cultural context- Genres for which the location is known or which have been important to the development and current practice of its popular music- Significant venues such as theatres, dance halls, clubs and bars- The role of the industry: music publishers, record companies/labels, recording studios, radio and TV- The role of the state and government regulatory bodies- The teaching and research of popular music in educational institutions- Songs associated with the location- Notable performers and other practitioners such as producers, engineers, technological innovators, record company heads, journalists, critics and scholars, songwriters, composers and lyricists. 250 leading popular music scholars and practitioners have contributed over 500 entries. They include Rafael José de Menezes Bastos on Brazil, Peter Manuel on India and the Caribbean Islands, John Collins on Ghana, Moya Aliya Malamusi on Malawi, Tôru Mitsui on Japan, Motti Regev on Israel, Martin Stokes on Turkey, Richard Peterson on Nashville, Amy Ku'uleialoha Stillman on Hawai'I, Bruce Johnson on Australia, Paolo Prato on Italy, Svanibor Pettan on Croatia and Alf Björnberg on Sweden. For more information please visit: www.continuumpopmusic.com
Postwar Hollywood by Drew Casper Book Summary:
Postwar Hollywood is a comprehensive history of the American film industry, from 1946-1962. A comprehensive introductory textbook exploring the unique period in the history of the film industry after World War II Examines the cultural history, business practices, new technologies, censorship standards, emerging genres, and styles of post-war cinema Chronicles the restructuring of Hollywood cinema against the backdrop of the major political, economic, and social changes taking place after World War II Features in-depth discussions of important films from Picnic, The Heiress, and From Here to Eternity, to Cat On A Hot Tin Roof and Love Me or Leave Me Illustrates the culture/filmmaking interface, and demonstrates the triumphs and failures of Hollywood's new methods of business
Literature of American Music III, 1983-1992 by Guy A. Marco,David Horn Book Summary:
Literature of American Music III, 1983-1992 is the second supplement to the original Literature of American Music in Books and Folk Music Collections. Taken together, the three volumes provide a comprehensive inventory of the 5,100 books representing the core literature on American music. This volume cites and critically annotates monographs on American music published from 1983 to 1992, but does not include literature in folk music collections. More than 1,300 entries cover all aspects of American music, including folk, blues, jazz, rock, music of major cities, festivals, the music industry, instruments, music education, and music for TV and film. Entries are arranged according to Library of Congress classification numbers, which allows librarians to check their own holdings. Each citation provides full imprint data, ISBN, facts about earlier editions, series notes, references to reviews in standard media, descriptions of favorable and unfavorable features, and special notes of reference elements such as indexes and bibliographies. Includes title and subject indexes. Author indexing is included in the Checklist of Writings on American Music, 1640-1992.
Bibliographie Internationale Des Recensions de la Litt Érature Savante by N.A Book Summary:
Download or read Bibliographie Internationale Des Recensions de la Litt Érature Savante book by clicking button below to visit the book download website. There are multiple format available for you to choose (Pdf, ePub, Doc).
American Popular Music and Its Business: From 1790 to 1909 by Russell Sanjek Book Summary:
This three-volume work tells the complete story of American popular songs, their authors, and the business they set in motion. Volume one explores the inception of the music publishing business in Elizabethan England and traces music activity in England until 1790, examining popular balladry, copyright problems, the start of music printing, religious music, professional music makers, musical theater, eighteenth-century music, and such leading musical figures as Purcell, Handel, and Haydn. Also discussed are the beginnings of music in the United States, including musical theater, black music, and the Great Awakening and its relationship to music publishing [Publisher description].
Male Roles, Masculinities and Violence by Expert Group Meeting on Male Roles and M Book Summary:
This book is based on an expert group meeting entitled 'Male Roles and Masculinities in the Perspective of a Culture of Peace', which was organised by UNESCO in Oslo, Norway in 1997, the first international discussion of the connections between men and masculinity and peace and war. The group consisted of researchers, activists, policy makers and administrators and the aim of the meeting was to formulate practical suggestions for change. Chapters in the book consist of both regional case studies and social science research on the connections of traditional masculinity and patriarchy to violence and peace building. The Culture of Peace initiatives in this book show how violence is ineffective, and the book contests the views in the socialisation of boy-children that aggressiveness, violence and force are an acceptable means of expression.
VC by Tom Nicholas Book Summary:
From nineteenth-century whaling to a multitude of firms pursuing entrepreneurial finance today, venture finance reflects a deep-seated tradition in the deployment of risk capital in the United States. Tom Nicholas’s history of the venture capital industry offers a roller coaster ride through America’s ongoing pursuit of financial gain.